Toscanini是一个公益住房区，建于20世纪90年代，位于意大利中部中型城市Aprilia的郊区。社区基础设施的缺乏，助长了日益严重的物质和经济的萎靡，随着时间的推移，忽视，小型犯罪和非法占有住房引起了广泛的不安全感，使" the pit "成为城市规划失败的象征，并增加了与居民的距离，在社会结构中也可以看出端倪。

Toscaniniis a social housing district built in the 1990s on the outskirts of Aprilia, amedium-sized city in central Italy. The failure to carry out primaryinfrastructures for the neighborhood has contributed to the progressivephysical and socio-economic malaise and over time, neglect, petty crime andunlawful possession of homes have fueled a general sense of abandonment andinsecurity, making “the pit” a symbol of the urban planning failure andincreasing the physical distance from the inhabitants, recognizable also in thesocial fabric.

▽改造前后

除了提高城市空间的质量外，设计在这里还起到了其他的作用，它刺激了公共区域的再利用和功能化，同时作为加强社区内部纽带的工具，这些社区将对空间进行居住和使用。项目的任务是塑造一个承载和促进这一过程的建筑，增强环境的特征。设计选择最初围绕两个基本方面：使区域易于进入，弥合初始距离，并用开放和包容的关系场所取而代之;为集体使用和实验留出自由空间，鼓励居民使用，同时为社区提出新的愿景。该过程旨在创造一个完整但未完成的空间，其中的不确定性是其亮点。

Design, inaddition to improving the quality of urban space, becomes here a complex action,which stimulates the reuse and re-functionalization of public areas and simultaneouslyacts as a tool to strengthen bonds within the community which will inhabit anduse those spaces.

Thearchitectural projectis entrusted with the task of giving shape to a place thathosts and promotes this process, enhancing the features of the context. Thedesign choices are initially oriented around two fundamental aspects: to makethe area accessible, bridging the initial distance and replacing it with anopen and inclusive place of relationships; to leave free space for collectiveuses and experiments, encouraging appropriation by the inhabitants, whilesuggesting new visions for the neighborhood. The process aims to create acomplete but unfinished space, where indeterminacy is its strongest point.

与施工现场一起，社区建设过程由一个跨学科工作组发起，共同设计和协调，目的是调查当地文化，加强社区与正在建设的公共空间之间的协调性。建筑工地不再是工人的专属场所，而是一个集体创造的场所，一个"开放"的地方，在这里，可访问性，可见性和沟通性使居民伴随着社区的进步参与改造。

Togetherwith the construction site, the community building process is initiated,designed and coordinated by an interdisciplinary working group, with the aim ofinvestigating the local culture, strengthening the community and reconciling itto the public spaces under construction.Thebuilding site, no longer anexclusive place for workers, becomes a moment of collective creation, an “open”place in which accessibility, visibility and communication involve the inhabitantsin the transformation and accompany the progressive appropriation by thecommunity.

▽改造过程

该项目的方案是Prossima Apertura的一次创新。综合活动与建筑工地的发展是平行和互补的关系：周边活动、在建区域参观、在逐步完工的地区举办活动和讲习班、焦点小组、公开演讲、实地考察和协调圆桌会议等聚集在该地区周围，在不断地积极交流与社区逐步产生联系。

Theprogramme along the works is the real innovation of Prossima Apertura. Theintegrated activities are parallel and complementary actions to the developmentof the construction site: events in the vicinity, visits to the area underconstruction, events and workshops in the progressively completed areas. Focusgroups, public presentations, site visits and coordination round tables gatheraround the area an active and informed community in a constant dialogue.

▽设施细节

在广场之外，建筑干预延伸到Parco Europa，这是一个35，000平方米的绿地，一个未充分利用的空间被转化为露天教室和托儿所。通过重新定义和完善穿过公园的自行车道和人行道，该项目将社区的公共空间转化为一个完整的体系。

Beyond thesquare, the architectural intervention extends to Parco Europa, a 35,000 squaremeter green area where an underused space becomes an open air classroom and acollective nursery. By redefining and completing the cycle and pedestrian pathsthat cross the park, the project transforms the public spaces of theneighborhood into a system.

▽开阔的步道

▽平面图

▽剖面图

▽轴测图

Project name:Prossima Apertura (Next Opening)

Company name:orizzontale

Website:www.orizzontale.org/ www.prossimaapertura.orizzontale.org

Contact e-mail:info@orizzontale.org

Project location:Aprilia (LT), Italy

Completion Year:2021

Building area (m²):9000 sqm

Other participants:w/ ADLM Architetti (architecture and urbanplanning), NOEO (psychosocialresearch), Rub Kandy (graphics and publicart),Mara Zamuner (communication), Alessandro Imbriaco, Alessandro Vitali(photography), Nicola Barbuto (videomaker)

Photocredits:Alessandro Imbriaco, Alessandro Vitali, AlessioPellicoro, Alessandra Sforza, Alessandro Brocco