感谢奥拉维尔·埃利亚松将项目介绍和项目图片授权gooood发行。更多请至：OlafurEliassonon goooodAppreciation towards OlafurEliassonforproviding the following description:01.你的光谱与存在Your lightspectrum and presence展览场地：洛杉矶坦尼娅·博纳克达尔画廊展期：2022.2.5-4.2 Venue: Tanya BonakdarGallery, Los AngelesDate: February 5 –April 2, 2022“你的光谱与存在”展览包含奥拉维尔·埃利亚松在2012年至2021年间创作的12幅圆形画作，展现了艺术家在光、色彩以及我们如何感知并与周围环境产生互动方面的研究成果。这些圆形画作被统称为《色彩实验》系列，它们按照顺序编号，以一种预料之外的排布方式，鼓励观众的眼睛保持不断的运动。Tanya Bonakdar Gallery is pleased to present OlafurEliasson’s Your light spectrum and presence on viewin Los Angeles from February 5 – April 2, 2022. Inthis exhibition, twelve circular paintings, createdbetween 2012 and 2021, represent Eliasson’slong-standing investigation with light, color andthe ways we perceive and interact with oursurroundings. Known collectively as the ‘colourexperiment’ series and numbered sequentially, thesecircular canvases strive to challenge ourexpectations and encourage our eyes to stay inconstant motion.▼展览现场，Installation view©JeffWhite展览中的几幅画作描绘了作为自然现象的彩虹所呈现出的明亮光谱，这也是埃利亚松的创作实践中反复出现的主题。埃利亚松自2009年开始了他的“色彩实验”并一直持续至今，其最初的想法是创造一个全新且全面的色彩理论，使其涵盖由棱镜反射的所有可见色彩。埃利亚松与一位色彩化学家进行了合作，试图为光谱（频率范围约为390-700纳米）中每一纳米单位的光调配出一个精确的颜色。Several paintings in Your light spectrum and presencefeature the bright spectrum of color seen in thenatural phenomena of a rainbow, a recurring motifthroughout Eliasson’s practice.Eliasson began his ongoing ‘color experiment’ seriesin 2009, inspired by the idea of producing a new,comprehensive color theory that would comprise allthe visible colors of the prism. He began by workingwith a color chemist in an attempt to mix an exacttone of paint for each nanometer of light in thespectrum, which ranges in frequency fromapproximately 390 to 700 nanometers.▼《色彩实验》92号，2020和《色彩实验》94号，2020Colour experiment no. 92, 2020, and Colourexperiment no. 94, 2020©JeffWhite▼《色彩实验》113号，2021和《色彩实验》105号，2020Colour experiment no. 113, 2021, and Colourexperiment no. 105, 2020©JeffWhite▼《色彩实验》108号，2020和《色彩实验》87号，2019Colour experiment no. 108, 2020 and Colourexperiment no. 87, 2019©JeffWhite▼《色彩实验》101号，2020，Colour experiment no. 101,2020©JeffWhite“从几何学的角度来说，彩虹实际上是一个圆。如果没有地球和地平线的阻挡，你将会看到一个完美的圆形彩虹，而你的眼睛恰好成为了它的中心。相隔仅数米的两个人，他们所感知到的彩虹也会有所不同，每个人都按照自己的视角在观察，我们永远无法看到对方眼中的彩虹。几乎可以这么去理解：彩虹作为一个短暂的现象，它证实了我的存在。若有一道彩虹存在，那么必然也就有一个看见它的我存在。”– Olafur Eliasson‘Geometrically speaking, a rainbow is actually acircle. If the earth were not in the way, ifthere were no horizon blocking your view, youwould see the whole round rainbow as a perfectcircle wrapping around you, with your eye at itscenter. Two people standing even a few metersapart will perceive two different rainbows, eachoriented to their own perspective. We can neversee the other person’s rainbow.You could almost say that a rainbow, as anephemeral phenomenon, confirms my existence. Ifthere is a rainbow, then there must be an I whois seeing it.’– Olafur Eliasson▼《色彩实验》87号，2019，Colour experiment no. 87,2019©JeffWhite▼《光测量：雷克雅未克》系列，Light measurements: Reykjavik, 20March 2011, 13:00, 2012 and Lightmeasurements:Reykjavik, 20 March 2011, 19:25 GMT, 2012©JeffWhite02.定位导航Navegaciónsituada展览场地：马德里ElviraGonzalez画廊展期：2022.1.20起 Venue: Galería ElviraGonzalezDate: 2022.1.20该展览是奥拉维尔·埃利亚松在马德里Elvira Gonzalez画廊的第四次个展。“定位导航”通过一系列作品探讨了我们应当如何行走于当今复杂的世界，它们深入研究了人们对于存在的感受，并邀请观者走进一个意料之外的开放领域。Galería Elvira Gonzalez is pleased to present OlafurEliasson, Navegación situada, the Icelandic-Danishartist’s fourth solo exhibition with the gallery.Navegación situada explores how we navigate thecomplex world of today with a series of works thatinvestigate our sense of presence and invite theviewer into an unexpected open terrain.▼展览现场，Installation view©CENIZA▼《缺席的领航者》，2021（第4和第7部分）Situated absence navigator (Sector 4), 2021 ©JensZiehe在进入展览空间后，参观者将首先看到名为《熔岩残留物》（Lavaresidue）的作品。该作品创作于2021年，由一排重叠的玻璃板和木质架子构成，后者是用回收自冰岛海岸的浮木制成。这些从西伯利亚漂流而来的木材在漫长的旅途中被阳光和盐水漂白。玻璃板上开有椭圆形的切口，使隐藏在其背后的色彩和形状显露出来。Entering the exhibition space, visitors encounterLava residue, 2021, an array ofsuperimposed glass sheets arranged on ashelf made of driftwood that was collected from theshores of Iceland. Originating fromSiberia, the wood wascarried to Iceland by seacurrents and bleached by the sun and saltwaterduring its long transit.Elliptical cut-outs have been removed fromthe layers of glass toreveal hidden tones and shapes behind them.▼《熔岩残留物》，2022，Lava residue, 2o22©CENIZA悬挂在天花板上的作品是《罗盘旅行者》（Compasstravellers）系列，创作于2022年，十分显著地反映了埃利亚松长期以来对于导航仪器的迷恋。这些独特的罗盘，它们以箭头为指针，通过一种主观却又具有共识性的现象将我们与他人连接起来：罗盘指向北方的特殊视觉感受是我们共同理解和接纳的事实。Suspended from the ceiling, the Compass travellersseries, 2022, directly addressesEliasson’s long-standing fascination withnavigational instruments. These unique compasses,each incorporating an archery arrowas needle, link us toothers through a subjectiveyet shared phenomenon: the particular visualsensation of the compass pointing north is somethingwe all understand and share.▼《罗盘旅行者》（南），2022，Compass travellers (south),2022©CENIZA展览的最后一个作品是投影装置《缺失的左脑》（The missing leftbrain），创作于2022年。该作品由旋转的镜片和光学设备随机排列产生，在观众面前呈现出一场不断变化的“光影交响”。The projection that completes the exhibition, Themissing left brain, 2022, unfolds an ever-changingsymphony of shadows and reflections in front of theviewer, produced through the chance alignments ofrotating lenses and optical devices.▼《缺失的左脑》，2022，The missing left brain, 2022 ©CENIZA03.你的眼球浮雕Your ocularrelief展览场地：纽约坦尼娅·博纳克达尔画廊展期：2021.3.9 –4.24Venue: Tanya Bonakdar Gallery, NewYorkDate: March 9 – April24, 2021该展览是奥拉维尔·埃利亚松在坦尼娅·博纳克达尔画廊的第十一次个展。Tanya Bonakdar Gallery is pleased to announce Yourocular relief, Olafur Eliasson’s eleventh soloexhibition with the gallery, on view from March 9through April 24, 2021, in New York.▼展览现场，Installation view©TomPowel Imaging展览同名作品《你的眼球浮雕》（Your ocularrelief）被展示在主厅的黑暗空间当中，作为一个由形状、色彩和阴影构成的引人入胜的灯光秀展开于公众面前。不断变化的序列在巨大的弧形屏幕上扩展或消失，观众可以直接瞥见背后控制它的仪器。一个由透镜、棱镜、平面镜和色效滤镜组合而成的装置在五个聚光灯的光束下缓慢地旋转。聚光灯的光线被分解，并通过反射和折射转化为屏幕上的可见序列。每个装置的旋转速度并不相同，因此序列之间的关系也在不断变化，时看时新。这些透镜同时成为了展览的材料和灵感来源。展出的透镜大多数来自埃利亚松的个人收藏，或者回收自其在柏林工作室的艺术和实验作品。In the darkened space of the main gallery, Yourocular relief, 2021, the show’s eponymous artwork,unfurls before the viewer as an evocative light showof shapes, colors, and shadows. The ever-changingsequence develops and vanishes upon a large curvedscreen, behind which the viewer can glimpse theapparatuses responsible for it. An orchestra oflenses, prisms, mirrors, and color-effect filtersslowly rotate within the beams of five spotlights.The light from the spotlights is broken apart andtransformed through reflection and refraction intothe sequences visible on the screen. As eachapparatus revolves at a different pace, therelationship between the various sequences isconstantly changing, always new. These lenses format once the material for the exhibition and itsconceptual inspiration. Most of the lenses featuredhere are from Eliasson’s own collection or arerecycled from previous artworks and experiments thathave taken place in the artist’s Berlin studio.▼《你的眼球浮雕》，2021，Your ocular relief, 2021©TomPowel Imaging▼《尖锐但完美的亲缘球体》，2020，Edgy but perfect kinship sphere,2020©TomPowel Imaging▼展览现场，Installation view©TomPowel Imaging▼《小型色球装置》，Small chromosphere assembly,2021©TomPowel ImagingMore：奥拉维尔·埃利亚松。更多请至：OlafurEliassonon gooood