“我的脚被禁锢在土地上，

“Myfeet may be stuck on earth,

但我的思绪在伊甸园中遨游。

Butmy mind is a realm of Eden;

这是天堂的奇迹。”

Theheaven’s wonder.”

“伊甸园”装置模糊了人造奇观与自然之美之间的界限。通过精心设计的空间体验，将造访者的感官打开，进入一个充满喜悦和新感觉的世界。“伊甸园”是对自然元素的致意，将现有场地163零售公园郁郁葱葱的绿色植物与“伊甸园”神话故事中引用的奇妙景观融为一体。为游客提供了一个远离日常生活喧嚣的避难所、一个用于慰藉和沉思的空间。

‘Eden’ blurs theboundaries between man-made wonders and the beauty of nature. Opening up yoursenses to a world of delight and new sensations through a curated retailexperience. ‘Eden’ is a celebration of natural elements, merging the lushgreenery of the existing site-163 Retail Park with a wondrous landscapereferenced from the mythical story of the ‘Garden of Eden’. Providing visitorswith a refuge away from the hustle and bustle of daily life; as a space ofsolace and contemplation.

步入“伊甸园”之中，造访者将重新发现如何通过有机结构放大微妙的细节来体验大自然，环境将人带入到另一个不同于现实的世界。一个纯白色的景观装置等待着的人们的探索、将感官沉浸在这平静和宁静的环境中，如神话般的寺庙伫立于此。一条覆盖着水晶白色鹅卵石的小路将带领访客穿过一条拱形通道，灵感来自维多利亚时代的钢制温室结构。它的轻巧骨架结构是对“水晶宫”——1851年在伦敦大博览会的建筑，一座巨大的铸铁结构建筑和工程奇迹的致敬。

Step inside as ‘Eden’ invites you tore-discover how nature can be experienced by magnifying subtle details throughits organic structures, transporting you to another world unlike anything youhave encountered. An all-white landscape awaits as your senses are treated tothe calm & serene environment, akin to being in the grounds of a mythicaltemple. A pathway covered with crystal-white pebbles leads you through anarched passageway inspired by Victorian-era steel conservatory structures. It’slight, skeletal structure is a nod to the architectural and engineering marvelof the ‘Crystal Palace’; a massive cast-iron structure built to house the GreatExhibition of 1851 in London.

In ‘Eden’, the whole is greater than thesum of it’s parts, as elements melt and merge together becoming a singlegrowing structure. Here, the garden passageway gives form to hanging ‘vines’hovering above the arches, imitating stalagmites in a cave. Where vertical andhorizontal vines converge to form seating areas as if they were organicallygrown from ancient tree roots.

仔细观察，造访者将会发现玻璃珠巧妙地悬挂在悬挂藤蔓的尖端，如同雨后坠在叶尖的水滴，教堂般的空间是通过葡萄藤的不同高度在周围环境上投射出错综复杂的阴影来实现的。灵感来源于儒勒·凡尔纳（Jules Verne）为“地心之旅”（Journey to the Centre of the Earth）绘制的画作《伊甸园》（Eden）中的洞穴般的造型，也因此增强了旅途中的整体空间体验。

Upon closer observation, glass spheres canbe seen delicately perched on the cusp of the hanging vines; echoing waterdroplets balancing on the edge of leaves after rain has subsided. Acathedral-like space is achieved with the varying heights of the vines castingan intricate play of shadow upon it’s surroundings. Jules Verne’s drawings forthe ‘Journey to the Centre of the Earth’ provided the inspiration for ‘Eden’s’cavernous-like quality. Enhancing the overall spatial experience of thejourney.

“伊甸园”希望重新唤起造访者近距离观察的乐趣，让人们暂时忘却自己的追求，再次成为一个孩子。哪怕只是片刻，也宛若置身于天堂。基于此，“伊甸园”邀请人们开始他们的旅程。

‘Eden’ wishes to bring you to re-discoverthe joys of looking closer, to cause you to momentarily suspend your beliefsand become a child once again. To believe, if only for a moment, that you areactually in paradise.With that, we welcome you as you begin your journeyinto ‘Eden’.

Project Name: Eden

Company Name: Poh Sin Studio

Project principle: Pamela Tan

Principle use: Pavilion, spatial public artinstallation

Date of completion: November 2018 (Temporaryinstallation)

Location: 163 Retail Park, Mont Kiara,50480 Kuala Lumpur, Malaysia.

Floor area: 1,685 ft2, 156.54 m2

Client: 163 Retail Park

Photography/photo credits: David Yeow

-https://www.davidyeow.com/

Profile info/contact

Website: http://pohsinstudio.com/

Instagram:https://www.instagram.com/pohsin_studio/

Facebook: https://www.facebook.com/pamelatanpohsin/

Email: Pamelatan.pss@gmail.com